The work of Portishead co-founder Geoff Barrow, this sharp-edged if undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Poacher denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one key story turn, but it results in a hilariously staged rampage on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
Game releases in UK and Irish cinemas from November 17.
